The character is a 1992s inverse of the Graduate archetype: "a guy who does not have a world of possibilities in front of him, he has no possibilities, he literally cannot imagine a way to change his life. " He is confused and angry, so he responds to his environment by creating Tyler Durden, a Nietzschean Übermensch, in his mind. While Tyler is who the Narrator wants to be, he is not empathetic and does not help the Narrator face decisions in his life "that are complicated and have moral and ethical implications". Fincher explained: "[Tyler] can deal with the concepts of our lives in an idealistic fashion, but it doesn't have anything to do with the compromises of real life as modern man knows it. Which is: you're not really necessary to a lot of what's going on. It's built, it just needs to run now. " While studio executives worried that Fight Club was going to be "sinister and seditious", Fincher sought to make it "funny and seditious" by including humor to temper the sinister element.
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